Dispatches from the Woodpile

For one reason or another I recently found myself getting my ducks in a row about making photographs of transracially adopted people. At the root was the simple wish to make voices like mine heard because I think we have some interesting information that might illuminate some of the febrile discussion around race. I also wanted the excuse to write about two of my favorite films: The Watermelon Man by Melvin Van Peebles and The Uncle by Desmond Davis. Both of these movies are about individuals who have and identity imposed upon them by external interests and in both cases …